Ryan Turkienicz
Ryan Turkienicz has over a decade of experience in entrepreneurial businesses, as well as a diverse background in the arts as both a professional musician and a freelance writer. After October 7th he along with this brother Eric Turkienicz – a Canadian Comedy Award nominated sketch comedian and satirist – cofounded The Daily Brine, a satire news page with the goal of fighting antisemitism on social media using comedy.
Joshua Kessler
Joshua E. Kessler is a Los Angeles-based showrunner, producer, director, and writer specializing in unscripted, documentary, and docudrama content. A two-time Emmy nominee, he is known for compelling work in true crime, history, lifestyle, and human-interest storytelling. His credits include acclaimed series for Netflix, A&E, and Showtime, such as Unsolved Mysteries, Penn & Teller: Bullshit!, and House Hunters International. A member of both the Directors Guild and Producers Guild of America, Kessler actively seeks new creative opportunities with a strong emphasis on collaboration.
Julia Sebastien
Julia Sebastien draws on her Ph.D. research in media psychology at Cornell University and her Master’s in Learning Design, Innovation, and Technology from Harvard in her ongoing quest to uncover how emerging technologies blur the boundaries between narrative, perception, and reality. Like her research, her creative work explores how immersive media shape human thought and behavior—from directing theatrical productions exploring truth and intercultural understanding to designing interactive digital games and VR experiences that foster self-reflection, experiential learning, and prosociality.
Flo Low
Flo Low is the founder and Executive Director of BAMAH, a cultural dialogue and exchange organization that works with artists from Israel to design experiences that inspire and connect people and communities across cultures. Under her leadership, the organization has made partnership with Historically Black Colleges and Universities (HBCUs) a core priority. Previously, she served as Associate General Manager of the La Jolla Playhouse; Associate Manager of the Yale School of Drama, and producer of the animated documentary shorts “Four Minutes from the Frontlines,” and of a reading tour of COME MY BELOVED, a play about the shared history and future of Black and Jewish communities in the United States.
Jessica Shaw
Jessica Shaw is a print and audio journalist who was a senior writer at Entertainment Weekly before hosting a pop-culture show for more than a decade on SiriusXM. She has moderated premieres and panels all over the country, from Comic Con to SXSW to 92Y, and has written for Vanity Fair, the Wall Street Journal, and Time Magazine. Her New York Times article, “Recreating a Family’s Lost Holocaust Story, Step by Step” won a Lowell Thomas Award from the Society for American Travel Writers.
Sarah Wildman
Sarah Wildman is the is the author of Paper Love: Searching for the Girl My Grandfather Left Behind. She was formerly the global identities and borders writer at Vox, a position she originated. She was the recipient of the German Marshall Fund’s 2010 Peter R. Weitz Prize, awarded for excellence and originality in European coverage. Long a regular contributor to The New York Times, Slate, The Forward, Washingtonian (where she is a contributing editor), and The New Yorker online, among other publications, Wildman has won a number of competitive grants and fellowships: from the Pulitzer Center on Crisis Reporting (Jerusalem in 2013 and Paris in 2017); Arthur F. Burns and American Council on Germany fellowships in Berlin; a Mile- na Jesenska Fellowship in Vienna; and a Pew Fellowship in International Journalism in Paris. A former New Republic staffer, Wildman has also worked for The Advocate magazine, American Prospect, and Politics Daily. Wildman was the Barach non-fiction fellow at Wesleyan University’s writing workshop in 2014 and a Dart Center Ochberg fellow (a project of the Columbia School of Journalism) in 2015.
Tamar Feinkind
Tamar Feinkind was born in Brooklyn, raised in the suburbs of Chicago, and came of age in LA. She is a writer, actor, and reluctant producer. She previously ran a small theater company for emerging writers where she produced five full length plays, including her own, and currently runs a storytelling event in Los Angeles called Mothers Unleashed with the mission of enabling and empowering mothers to give voice to their experiences. Most recently, Tamar was commissioned to write a WWII historical drama about an Armenian Genocide Survivor, and she wrote for the podcast Solve, set to be released in 2020. BS from Northwestern in Theater and pre-med. MFA from Stephens College in Television and Screenwriting. Tamar is represented by Epicenter.
Daniel Housman
Daniel Housman is a screenwriter, and a former journalist, who works in communications, and is active in cultural programming for the Israeli American Council in Los Angeles. After getting his MFA in Filmmaking from Columbia University, he was an adjunct professor of film studies at Adelphi and Fordham Universities in New York, and wrote the screenplay for the 2007 indie film The Treatment. With the IAC, he co-founded the BINA-LA program in 2010, leading its intellectual salons for six years, presenting a myriad of TED-like events with a range of speakers on topics of science and technology, Israeli concerns, social impact ventures and the arts.
He completed the professional fellowship for NewGround: A Muslim-Jewish Partnership for Change in 2014, and directed their annual “Spotlight” event, a night of live storytelling. Daniel was on the steering commit- tee for the UCLA Nazarian Center for Israel Studies’ “Israel in 3D” seminar in May 2015 and designed the concept in 2017, which attracted 300 attendees for a “one-day university.” He was hon- ored to visit Kenya with an Israeli Consulate Mission in 2016, to observe the benefits of Israeli-sponsored development projects with an L.A. delegation. He lives in Los Angeles, where he leads a bi-weekly screenwriting group of 15 professionals.
Sam Barnett
After graduating from the University of Michigan’s Screen Arts and Cultures program with a screenwriting concentration, Sam Barnett grew tired of his home state of Michigan and relocated to the ancient homeland of his parent: New York. In addition to his writing, he has served as a longtime story analyst for Lionsgate, and has worked on feature films and documentaries at production companies such as Big Beach, Ideal Partners and Keshet Studios. His work has been featured on websites such as The A.V. Club.
Samuel Franco
Samuel Franco graduated from NYU’s Tisch School of the Arts with a BFA in Writing and Producing for Film. Shortly afterwards, he secured an apprenticeship as a researcher under investigative journalist Mike Wallace at CBS News’ 60 Minutes, and six months later he joined The Charlie Rose Show as a research writer. A year later Samuel was recruited to work for The Howard Stern Show, where he focused on marketing, strategic sales and branding, creating Howard’s first-ever ad campaign: Stern Warning.
Samuel then went on to work for Infinity Broadcasting (CBS Radio), Paramount Pictures, and CBS Daytime Television, before moving to Los Angeles to focus on writing and producing. His credits include writing the feature scripts: Keeper of the Diary (Fox Searchlight) and Mayday 109 (Thunder Road Productions), and TV shows: The Fall of the House of FIFA (FX Networks), and Camelot (NBCUni’s Peacock), alongside writing partner Evan Kilgore. On the producing end, Samuel is executive producing a documentary about the Isabella Stewart Gardner museum art heist titled Ghosts of the Isabella (Ample Entertainment), and producing a feature film, which he is also co-writing, about heavyweight boxer Rocky Marciano titled Unbeaten (Impossible Dream Entertainment). Samuel lives in Los Angeles with his wife and two children.